The result is both poignant and absurd.
In "Take a Walk," a peacock-headed woman strikes a contrapposto, runway-model stance before a throng of plainly dressed admirers. In "Back in Stock," a young woman tows a wagon-load of faceless playmates.
"I based these characters on the personality traits I see," she said. "I want them to create a dialogue of their own."
Tim James is still a painter — he just chooses not to paint on canvas or paper anymore.
For many years, the Janesville-Waldorf-Pemberton School District art instructor painted mostly realistic portraits. But after a two-year teaching sojourn to Athens where he lived and worked in the shadow of that city's vast and historic artistic influence, he began working in the style of abstract expressionism.
With that, James began exploring metals as a medium for his paint. Finding himself drawn to their physical as well as aesthetic properties, the artist said that working with metals demands an eye both for technique and composition.
"When I'm working with something," James said, "a big part of it is thinking about how to achieve harmony."
Displaying concurrently with Thier's exhibit is James' display of several metal and mixed sculptures created since his return from Athens. And though James said he works primarily with scrap metal and found objects — "I got piles of stuff laying all over the place," he said — his works reflect nothing of haphazardry.
Rather, James' art is marked by a sense of fragility and precarious balance.
In "Helios," two symmetrical metal legs bear a large, golden disk in a powerful show of artistic counterbalance. In "Sparta," James uses the weight of color to offset the weight of several metal plates arranged into a misshapen rectangle. In "Samaria Gorge," a vertical slab of metal seems to unfurl from a dry, gnarled stick in a hieroglyphic display.
"I try to preserve the character of the metal and wood that I use," James said. "And I look for things that will work well with each other."